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Title: * Andrew Lenski
Description: august 18 '09


Andrew Lenski - January 2, 2009 05:25 PM (GMT)
ORIGINAL PROFILE ( without revisions )

    Name: Andrew Lenski
    House: Ravenclaw

    Physical Appearance: The thing to describe Andrew’s looks is…contradiction. He always looks the opposite of what he really means…not that he means much. For instance, his curly, dark blond hair should convey a sense of mischief. His honey tinted smile should convey a sense of warmth (and mischief). His eyes, which are blue or green depending on the lighting, are wide and innocent…and mischievous. His nose is slightly upturned and very pointy, conveying yet another sense of mischief. In fact, Andrew looks very much like an angel-faced prankster.

    In terms of build, he has grown from a scrawny lad to a lanky, almost awkward figure. He is quite tall—not overly tall, but enough to be near the front of the line if you asked his class to line from tallest to shortest. He is nicely toned but not very muscular—he says it’s metabolism, but it could be because he is madly in love with Quidditch. With long arms and long legs, long fingers, nimble feet, Andrew actually has a nice body that’s been…stretched out. This makes his round, childish face a bit awkward on top, but since he is still quite young, that can change.

    He likes to…go bare-chested. It’s never happened before in public, but in his room, at home, he rarely wears a shirt, and if he does, it’s usually a very loose, large T-shirt. Outside of the standard Hogwarts robes, people usually see him in shorts, T-shirt, and maybe a light jacket. He gives off the impression of living on a tropical island all the time, which some people find amusing.

    Personality: QUIET AND BOOKISH hardly does him justice. Having been shut up in a high tower (not literally) most of his life, he is curious about everything. He has a thirst for knowledge (the good kind) that seems to be, for the most part, insatiable. He doesn’t talk much—well, he doesn’t like to talk. Most of his time is spent asleep or in the library. His favourite subject, at the moment, is Charms—next week it could very well be Potions. In fact, last week it was Herbology. It’s hard for him to make up his mind, because most of it has been made up by his father before he arrived at Hogwarts.

    Andrew is also, at this point, two-faced…well, most people only see one face. The face he has most of the time is one of extreme curiosity and peace. Nothing seems to disturb this guy, ever, which some people also find disturbing. Nothing really does disturb him, now that he really thinks about it. Sometimes this worries him, and at these times, his second…face…will appear. This second face is composed mainly of worry…worry that nothing will ever affect him.

    He was raised to be, in essence, a robot, a replacement. Brought up to be emotionless and obedient, he is very polite and has an extreme inferiority complex. He could be content with people picking on him. They do pick on him, but he also underestimates his own ability with a wand. At Hogwarts, his mind was opened, and he began to open up himself. He still doesn’t have many friends, but he is learning…and he loves learning. It sounds quite stupid, but he does.

    Character Background: One cold rainy day in April, Michael Lenski fell ill. He fell terribly ill. His parents took him to St. Mungo’s, but the Healers could do nothing. The mother, Irina, couldn’t bring herself to look at her son. The father, Emrys, was frantically searching for a solution to stop his wife’s suffering. And thus, a year later, Andrew (who was five years Michael’s junior) was born. Initially he was meant as a replacement, if anything ever happened to Michael, but…three years later, the tragedy struck, and Michael died. Andrew could hardly remember any of it, but he did feel a change in the house.

    For one, his parents started treating him more kindly than they had before, but also absentmindedly, as if he wasn’t really there. Then, around his fifth birthday, he stopped coming out of the room. He stopped talking. He’d simply lost interest in the world—from his perspective, the world was quite a dreary place. Two years down the road, Andrew decided that living wasn’t worth it. He spent the years from that moment to his acceptance at Hogwarts living like a robot—he ate, showered, slept. He became as pale as a ghost, spending his free time with the windows locked, shutters drawn, staring at the wall, contemplating on how to spend the rest of his life locked up in his room.

    Then, at eleven years of age, his world took an unexpected turn…for the better. Three owls wearing armour crashed through his window and pecked at him until he opened the envelope. Two months later, he was off to Hogwarts. The first month was spent mostly in the Head’s office, the second month he lived in the library. The third month, he discovered Quidditch. The fourth month, he fell madly in love with Quidditch—and so on. Every day was, as cheesy as it sounded, a new discovery. The summer he went back home. His parents noted the change—they sent him outdoors, gave him a broomstick.

    His second year at Hogwarts was fun. Upon the discovery that he was actually quite brilliant and could remember things (except for History of Magic, curiously), he found that he could actually score well on the exams. His third year…well, it’s begun quite well. Same old, same old. But he’s really looking for a bit of variation, now that he’s used to things, and he has no idea what he’s looking for.

    Other: He is madly in love with Quidditch.
    Special Request: perhaps Divination...perhaps nothing?

Andrew Lenski - January 4, 2009 10:14 PM (GMT)
Alright, I just realized exactly how horrible that first one was, so, updated:


    Physical Appearance: At first glance, Andrew happens to be nothing out of the ordinary. He’s a bit on the short side—in fact, if nothing else works, ‘midget’ could possibly describe him quite well. He is, without a doubt, the shortest third year boy at Hogwarts—barely at four feet nine inches, and scrawny to boot. Everything about him (aside from his head) is quite small—small hands (with long fingers) and feet, and thin arms and legs. His legs are quite disproportionably long compared to his torso, but he is, in fact, short enough that no one will really notice. Most of the time, he has to look up at other people to speak to them. Unfortunately, seeing as he likes to keep his eyes staring at the ground, this poses as a bit of a problem. The only solution he has is to not speak that much.

    His face still has its childish roundness. He is ghastly pale, and no amount of sun seems to change that, but he tends to blush too much, so that his face is always red when it’s not ghastly pale. He has very soft cheeks, and not prominent cheekbones, so he would never grow to be the ‘arrogant, aristocratic’ type. Aside from that, Andrew has very large blue eyes. They aren’t unnaturally large, but they give off the impression that to him, everything is either extremely funny or quite surprising. He has a small nose, and thin lips that make every smile look mocking. His most common expression is a neutral sort of look that makes him look owlish. He suspects that the expression got him into Ravenclaw sometimes, because he hasn’t exhibited any other signs of extreme intelligence aside from Arithmancy.

    Andrew does tend to mumble a lot, as if he doesn’t want anyone to hear what he’s been saying. The truth is that most of the time, he has no idea what to say, and mumbling gives him a sort of ‘safety’ shell—if people ask him what he just said, he can either reply with a ‘nothing’ or clarify, depending on the situation. When he mumbles he fingers the hem of his shirt and picks at nonexistent specks under his nails. Unless he is completely at ease, he will never face someone head-on or look them in the eye. He emits a sort of timid aura at all times, partly because he is really shy, but also partly because he doesn’t feel comfortable when he’s too close to others. He gives off the appearance of being a sort of mouse.

    His hair is blond—almost white in the sunlight. It’s an average length; not too long but not really short enough that his head feels almost bare. Two or three thin curls always hang on his forehead, refusing to stay in its place; the side flips out slightly like the wings of a bird. Andrew, like most other boys, could care less about his hair, so that in the morning he brushes it enough to get rid of any tangles, and leaves it to its own fate for the rest of the day. During formal events, no amount of gel or magic can straighten it out, so it’s always in the same style—slightly messy and quite adorable. It doesn’t bother him when people try to touch his hair any more than it bothers him when girls try to hug him (which is quite annoying, actually)…he doesn’t like physical contact.

    Speaking of adorable, ‘cute’ is a word that often springs to mind when people describe him (other than midget). The boy doesn’t find himself particularly ‘cute’ or ‘huggable’, but he has an inferiority complex that will probably stay with him for the rest of his life that would have to be cursed out of him to make him see otherwise.

    Personality: So, the first thing most people notice when they see Andrew is shy. He is horrendously shy and quiet, he mumbles, and he hates making eye contact. However, he has several different personalities, although a few of them have yet to make an appearance. The most common one is the shy one. In this state of being Andrew is quiet (silent, actually) and almost ghost-like. He is most often found out of doors and or at the library. He is an avid reader and always wanting to learn new things. In his shy state of being, he speaks little, refuses to try new things, and acts basically like a robot. When people approach him, he makes one-word answers, and runs off as soon as possible. When he meets new people, he never sounds sure of his own name when he introduces himself. People who don’t know him generally call him “weird”; people who do know him…well, that’s what his other personalities are for, right?

    He is very sensitive and perceptive. Unlike the typical hot-headed Gryffindor, he will think everything through, making sure not to hurt anyone or say something that would make himself look like an idiot. Sometimes this delays his response, but in his time at Hogwarts, he has figured out a way to distract people while thinking of something to say. In his case, it happens to be staring pointedly at the ground and saying “erm” in a nervous fidgety manner. Andrew’s feelings get hurt easily, although he tries not to show it. He wants to put his trust in someone completely, but he is also afraid that people will just ‘use’ him and not see him as a person. In fact, for the first five or so years of his life, he wasn’t seen as a person…more like a replacement. The thought didn’t make him bitter, but it has created a lot of loneliness and caution in him that shouldn’t be there.

    Unfortunately, he does tend to assume things that aren’t necessarily true. Even though he is a Ravenclaw, the one thing that might have caused him to get sorted into that house is his thirst for knowledge. He is actually very innocent and naïve, and he really doesn’t know much about the world. His method of dealing with different situation can be drastically different from other people’s methods—for example, if he breaks his arm, most likely he will just sit there trying to figure out how exactly he broke it instead of running for the Hospital Wing or bursting into tears. This causes people to brand him as “weird”. However, children are unpredictable, and he has also been known to say painful truths in such a practical tone that people also wonder if his brain is working the right way.

    Contrary to popular thought, Andrew’s main emotion at all times is curiosity. This is the product of shutting himself up in his room for about five years straight, only coming out to greet the occasional guest before retreating back inside to brood over his life. He had never thought about coming out of his room, really, until that letter from Hogwarts—and it changed his life. Hogwarts was an entire different world to the boy, and it was like reading picture books after having been blind all your life. Of course, Andrew had been staring at the blank wall most of his life…and the difference wasn’t that huge. Everything about this new, alien world was strange, in a good way. He wants to know everything—what is magic? What is happiness, what is sadness, what is pride and humility? He is constantly learning, and his thirst for knowledge grows at the same rate that he drinks it.

    The Ravenclaw is not coordinated very well on land—he trips over a speck of dust, and he fumbles when turning the pages of a book. It’s amazing how he trips over everything—he has taken countless tumbles down the steep flights of stairs at Hogwarts, and has been found lying sprawled on the floor in the doorway to class. Perhaps that is why he is unnaturally gifted at Quidditch. Flying is something Andrew loves with a passion, and also one of the few reasons he doesn’t regret being sorted in Ravenclaw. The common room really feels like he’s living as close to the sky as anyone can get. His room is stacked full of Quidditch magazines, and during the summer he takes his broom out to go flying nearly every day. Countless posters are stuck on the wall in his dorm, one over another. If there is nothing else left in the world, he knows that he can have a broomstick and stay happy.

    There is one more personality (well, more like facet) of Andrew to be told of. This one hasn’t appeared at all, but it’s there, deep within him, waiting for an opportunity. This facet is fierce. It is unpredictable and violent, irrational and angry. Born from all those years that he has spent brooding in his room, it started out as just a small doubt, but soon grew to be something…scary. It is dark and immoral—of course, this is a hypothetical one, but at times in his life Andrew has felt irrationally angry, and that was the effect of this “black” personality. As of now no trouble has come to Andrew, but bottling up emotions never has a good effect on anyone, and with him it won’t be any different. Who knows, he might turn out to be just fine.

    Character Background: ( same here )
if anyone wants to look over this, I’d love you forever! ^^;

Andrew Lenski - July 3, 2009 03:32 AM (GMT)
REVISED APPEARANCE AND PERSONALITY BACKSTORY WIP
-----------------------july 2
    Appearance: Andrew is a scrawny scrap of a thirteen-year-old. He is bone-thin, lacking the muscles of a Quidditch player and the roundness of a child. Only his head seems unaffected by this--his face is still baby-round, with a pointy chin. He stands at almost five feet tall and is characterized by his customary stare at the ground beneath his feet. His body is mostly of average proportions, except for his head which seems to be too big on his shoulders. He has fingers that are too long, sticks that pass for legs, and knobby knees. Never in his life was he ever satisfied with his own appearance, and he probably never will be.

    Most clothes don't fit him at all, so he doesn't bother with looking for the right ones. A peculiarity of his is that he is mostly unaffected by the weather. In a blizzard he would be numb to the cold and wear only a sweater--in blazing summer heat he would be able to wear the same and not feel anything different. Supposedly, when he was a child, this was how his parents found out he had magic. He likes to wear blue, not so much because he loves Ravenclaw, but more because most of his clothes are the same color as his eyes--which, if you haven't deduced, are blue. Sneakers in any weather suit him just fine, as well as jeans or khakis when he isn't swamped in his school robes. In fact, his Hogwarts robes nearly drown him during the school day, and he is always modifying it, but he hasn't quite gotten the hang of that yet.

    His skin is the softest of soft, and paler than a ghost's. During his early childhood he rarely saw sunlight, so he tends to have the appearance of just recovering from a long illness. In recent years his complexion has improved slightly...but only slightly. Perhaps in years to come he might even end up looking like a normal child--a small possibility, but one nevertheless. His face is round, except for a thin, pointy chin. He has an impish smile and eyebrows that can do the wave. Andrew's eyes are the cleanest of blues, but they usually lack the sparkle of people his age and are dulled. His nose is thin and pointed, and his mouth is too pink in his face--and his lips are so thin that they might as well not exist.

    His hair is light brown. It's quite long, and messy enough to give his mother a headache. Being someone who doesn't worry too much about appearances, Andrew leaves his hair alone. He stays away from gel and dyes--and potions that change his hair color according to mood. The only time he'll think about his hair is when he gets a haircut. Since he plays a lot of Quidditch, twigs tend to get stuck in his hair--twigs, dry leaves, bits of grass, etc. Generally, aside from him pallor, Andrew is a normal scrawny boy thrust into his teens without quite realizing it.

    Personality: Who is the clumsiest boy at Hogwarts? Doubtless, the honor would go to Andrew here, who trips over everything, from rocks to blades of grass to thin air. His fingers, though long and slender, are clumsy; his feet are the bane of his existence. Perhaps for this reason he is quite taken with Quidditch--indeed, he is unusually good at it for a boy his age. He certainly won't be a match for an older, seasoned athlete, but he is able to hold his own on the pitch. Quidditch is his passion, and one of the driving forces that keep him going. The walls of his dorm are covered with Quidditch posters (mostly of the Arrows, his favorite team) and the space under his bed is occupied by stacks of slightly dusty chronicles of the game.

    Aside from Quidditch, he loves to read. Most of his time indoors is spent inside the great library of Hogwarts, where he likes to bury his nose in various types of books. Recently he's taken a liking to the Restricted section, and he's gotten very good at sneaking off there when no one is paying attention. Most of his reading, though, is centered on the history of the wizarding world--historical fiction being his favorite genre--and stories about Muggles. He finds Muggles to be a very interesting subject, but he prefers to learn about both Muggle life and History of Magic on his own time. Anything, in his mind, is better than the drone of the boring professors who teach both.

    Andrew tends to have a shorter attention span than most Ravenclaws, hence the reason he can't focus in class. Even so, he manages to maintain Ravenclaw-level grades due to the time he spends reading outside of the classroom. He is very curious, having been, for lack of a better word, sheltered as a younger child. Sometimes he ponders why he ended up in Ravenclaw, lacking most of the traditional traits of the house--level-headedness, cunning, competition, among others--and his conclusion is that his thirst for knowledge is stronger than all of his other traits.

    Although generally a mild-mannered, calm person, he is very flustered when he causes a commotion. This happens when he trips over things--his face burns scarlet; he apologizes until he runs out of breath. In fact, when he isn't happily wondering around in his own air-headed world, he's staring at the carpet, face smoking, apologies streaming out of his mouth. Most people at Hogwarts give him a wide berth because they don't have the time to deal with him and his liking for laying the blame on himself. Actually, Andrew just has very low self-esteem, instead of the calm self-assurance so closely associated with Ravenclaw. Sometimes it comes off as pitiful; most of the time, it's just annoying.

    One thing about him is dangerous, though: when his temper finally ignites, he is possibly fatal to everyone around him. Of course, he can't actually kill people, but when he's angry he tends to throw around some nasty hexes at whoever is within firing range. It takes a lot--a lot--to make Andrew really angry, but it also takes a lot to calm him down. He doesn't like getting mad, for obvious reasons, so his temper rarely ever flares up even if people repeatedly bash him on the head with a rock. No one really knows what makes him so angry. He doesn't really know himself. However, the silver lining is that he's unlikely to develop in a bad way!

    Backstory: under massive revamp

Mina Cordova - July 16, 2009 12:17 AM (GMT)
Appearance: Andrew is a scrawny scrap of a thirteen-year-old. He is bone-thin, lacking the muscles of a Quidditch player and the roundness of a child. Only his head seems unaffected by this--his face is still baby-round, with a pointy chin. He stands at almost five feet tall and is characterized by his customary stare at the ground beneath his feet. His body is mostly of average proportions, except for his head which seems to be too big on his shoulders. He has fingers that are too long, sticks that pass for legs, and knobby knees. Never in his life was he ever satisfied with his own appearance, and he probably never will be. Overall, a nice paragraph. In the first sentence you say he lacks the roundness of a child but then in the second mentions he still has a round, baby face. When I first read roundness of a child I immediately thought of the face so it threw me for a loop, but that just might be me. Going off of that, when you say baby-round do you mean round in the baby fat sense or that his head is just very circular and doesn’t seem to have the matured, distinct features. I hope that made sense. Also, I’d like to see expansion of each of the body sections. My advice is start your own body and go from head to toe. I think it also makes it an easier read for people because they can visualize that one area better instead of thinking about the head then going to the legs then back up for the hair, but that’s a personal preference. It’ll also help you think about what you’re missing: forehead, eyebrows, eyes, nose, cheeks, ears... so on and so forth. Basically, use your own body as a checklist. Another place I’d like to see another sentence or two, and this could arguably fit better in personality but I’d say stick it in here, is the last sentence about him not liking his body. Why? Sure, he’s pretty scrappy and odd but what it is specifically that he’s uncomfortable. Most people have a weakness, something that they are really physically self-conscious about above the rest of the body.

Most clothes don't fit him at all, so he doesn't bother with looking for the right ones How do his clothes fit him? Why don’t they fit? Is it his big head? Is he too short for his pants? Especially since you mentioned sentence four of paragraph one that he is averagely proportionate aside from his head and to mean average means his clothes should fit. Also, what kind of clothes does he end up wearing? Do all of his cltohes have to come custom made? Does he wear them big and drown in them or does he wear them short and show an inch of sock?. A peculiarity of his is that he is mostly unaffected by the weather. In a blizzard he would be numb to the cold and wear only a sweater--in blazing summer heat he would be able to wear the same and not feel anything different. Supposedly, when he was a child, this was how his parents found out he had magic.I do that.... does that mean I’m magic?! Sorry, that has nothing to do with anything. I just really want to be magical. He likes to wear blue, not so much because he loves Ravenclaw, but more because most of his clothes are the same color as his eyes--which, if you haven't deduced, are blue. *chuckle* Sneakers in any weather suit him just fine, as well as jeans or khakis when he isn't swamped in his school robes. In fact, his Hogwarts robes nearly drown him during the school day, and he is always modifying it, but he hasn't quite gotten the hang of that yet. Again, I really have little to say other than expand. What he wears is a statement of who he is. Aside from clothes, does he have any accessories he always has? A special bookbag, a favorite tie, a hidden tattoo ;). Flow-wise, something from the unaffected by weather statement to the end isn’t sitting well with me. I’d prefer that the sneakers comment and following sentences not be so separated from the initial “weather does not dictate what he wears” idea. But I do like the comments in between so I’m not saying chuck them. Just to experiment, move things around. Maybe mention first off that his parents suspected something when his outfits did not seem to change witht he varying weather and then go into the always wearing sweaters and sneakers and such. Again, I like what you have. Just expand..

His skin is the softest of soft, and paler than a ghost's. During his early childhood he rarely saw sunlight, so he tends to have the appearance of just recovering from a long illness. Ew, why? Def have that in the history if it isn’t already when you get around to revising that part because I’m curious.. In recent years his complexion has improved slightly...but only slightly. Improved from what? What did his acne used to be like? Complete craterface or just moderate breakouts here and there... how often, how bad and how is it different now. Perhaps in years to come he might even end up looking like a normal child--a small possibility, but one nevertheless. His face is round, except for a thin, pointy chin. Repeated from the first paragraph, I personally say chuck the previous sentence since we already know. He has an impish smile and eyebrows that can do the wave. Andrew's eyes are the cleanest of blues, but they usually lack the sparkle of people his age and are dulled. I don’t like the dulled. Maybe if instead of ‘and are’ you used ‘but instead appear dull’ but I don’t know. I feel like the lack the sparkle was sufficient. His nose is thin and pointed, and his mouth is too pink in his face--and his lips are so thin that they might as well not exist. Again, with flow. I personally like to see all the areas kept together so I’d like this better up where you first went into detail about the shape of his head.

His hair is light brown. It's quite long, and messy enough to give his mother a headache. Being someone who doesn't worry too much about appearances, Andrew leaves his hair alone. Entirely alone? Like just rolls out of bed alone? Or just combs it out hastily and is done? Is it messy? Does his mom do his hair in any way? I got the sense that if it gives her a headache she must cut it for him or something.. He stays away from gel and dyes--and potions that change his hair color according to mood. Why? Is it because he thinks it’s shallow? Is he afraid what his hair color might betray about his mood?. The only time he'll think about his hair is when he gets a haircut. Since he plays a lot of Quidditch, twigs tend to get stuck in his hair--twigs, dry leaves, bits of grass, etc. Generally, aside from him pallor, Andrew is a normal scrawny boy thrust into his teens without quite realizing it.

Personality: Who is the clumsiest boy at Hogwarts? Doubtless, the honor would go to Andrew here, who trips over everything, from rocks to blades of grass to thin air. Part of me would like to see this into two sentences.. His fingers, though long and slender, are clumsy; his feet are the bane of his existence. Perhaps for this reason he is quite taken with Quidditch--indeed, he is unusually good at it for a boy his age. And despite his build, you can through that in there if you want. He certainly won't be a match for an older, seasoned athlete, but he is able to hold his own on the pitch. Quidditch is his passion, and one of the driving forces that keep him going. The walls of his dorm are covered with Quidditch posters (mostly of the Arrows, his favorite team) and the space under his bed is occupied by stacks of slightly dusty chronicles of the game. What’s his favorite position? How did he get into Quidditch? Is it natural talent or the result of lots of hardwork?

Aside from Quidditch, he loves to read. Most of his time indoors is spent inside the great library of Hogwarts, where he likes to bury his nose in various types of books. Recently he's taken a liking to the Restricted section, and he's gotten very good at sneaking off there when no one is paying attention. Most of his reading, though, is centered on the history of the wizarding world--historical fiction being his favorite genre--and stories about Muggles. He finds Muggles to be a very interesting subject, but he prefers to learn about both Muggle life and History of Magic on his own time. Anything, in his mind, is better than the drone of the boring professors who teach both. Is there a deep-rooted psychological reason that he enjoys reading? Lol, sorry. Would he rather read or hand out with people? Is he introverted? Would he rather read or play Quidditch?.

Andrew tends to have a shorter attention span than most Ravenclaws, hence the reason he can't focus in class. How short? 3 second goldfish short? Why? Is it because he has high anxiety and can’t focus because he’s stressed? Is he just really hyper and can’t sit still? Is he a daydreamer? In what way is he not focusing? Even so, he manages to maintain Ravenclaw-level grades due to the time he spends reading outside of the classroom. He is very curious, having been, for lack of a better word, sheltered as a younger child. Sometimes he ponders why he ended up in Ravenclaw, lacking most of the traditional traits of the house--level-headedness, cunning, competition, among others--and his conclusion is that his thirst for knowledge is stronger than all of his other traits.

Although generally a mild-mannered, calm person, he is very flustered when he causes a commotion. This happens when he trips over things--his face burns scarlet; he apologizes until he runs out of breath. In fact, when he isn't happily wondering around in his own air-headed world, he's staring at the carpet, face smoking, apologies streaming out of his mouth. Most people at Hogwarts give him a wide berth because they don't have the time to deal with him and his liking for laying the blame on himself. Actually, Andrew just has very low self-esteem, instead of the calm self-assurance so closely associated with Ravenclaw. Sometimes it comes off as pitiful; most of the time, it's just annoying. Don’t have much to say here. Other than whether or not you want to go into his flustered reactions with the classic ears burning, thumb twiddling, rocking back and forth... stereotypical behavior. Also, where does his insecurity come from? People are insecure for a reason. And what is he most unsure of himself for? His looks, his personality, the whole package? Is it because his parents are too hard on him? Because he gets picked on a lot in school?

One thing about him is dangerous, though: when his temper finally ignites, he is possibly fatal to everyone around him. Of course, he can't actually kill people, but when he's angry he tends to throw around some nasty hexes at whoever is within firing range. Only issue is the use of fatal. Fatal = deadly so if he’s not actually killing anybody I’d go with a different adjective. I can’t think of one off the top of my head... sorry >.< It takes a lot--a lot--to make Andrew really angry, but it also takes a lot to calm him down. He doesn't like getting mad, for obvious reasons, so his temper rarely ever flares up even if people repeatedly bash him on the head with a rock. No one really knows what makes him so angry. He doesn't really know himself. However, the silver lining is that he's unlikely to develop in a bad way! But what are some circumstances when his temper has flared? Has he ever done something during such times that he really regrets? Maybe is the reason why he gets flustered when he is clumsy and bumps into people? Because he might be afraid it will lead to something where he can’t control his anger? Also, what does it take to calm him down. You say a lot, but it is something he has to do alone or does he need a friend? What is his outlet? Or is it just that his rage burns for so long it eventually fizzles?

All in all, I really do like what you have. I like the kind of cheeky, funny undertone of the whole thing. All I have to say is just keep expanding, adding as you learn more about the person you want to be. For appearance, do the down your body checklist. For personality, put Andrew on the imaginary therapist chair. My only issue there is you run into what should be in the history section versus personality. I’ve always struggled with that. But overall, very nice ^^ Hope I helped, my brain is still on the fritz

Andrew Lenski - August 18, 2009 04:42 PM (GMT)
( merci dee~ i love you. i really do. <3 )

• revised august 19, '09. ( feedback appreciated. kill the history. it's too long. i love detail more than is good for me. )


    OUTER SHELL: Andrew is a scrawny scrap of a thirteen-year-old, a doll-like child. He is thin and frail, lacking the muscles of a Quidditch player and the roundness of a child. Only his head seems unaffected by this—his face is still baby-round, with a pointy chin. He stands at almost—almost five feet tall and is characterized by his customary stare at the ground beneath his feet. His body is mostly of average proportions, except for his head which seems to be too big on his shoulders. When he’s not out playing Quidditch, he is usually hunched over, studying the floor tile pattern or watching his feet—bad posture sticks to him like a permanent sticking charm. Never in his life was Andrew ever satisfied with his own appearance, and he probably never will be. In the mirror he sees a frail, weak child—in his mind he aspires to be strong and well.

    To begin at the top—his hair is light brown. It's quite long, and messy enough to give his mother a headache. Being someone who doesn't worry too much about appearances, Andrew leaves his hair alone. He stays away from gel and dyes--and potions that change his hair color according to mood. Once upon a time, he tried the latter, only to have the solution turn his locks a perpetual shade of shy pink. From then on he learned his lesson and never messed with his hair again. The only time he'll think about his hair is when he gets a haircut—a squeamish ritual that has him fidgeting in his chair while his mother attacks it with enchanted scissors. It’s fair to say that Andrew walks around with bits of leaves and grass in his hair—the only indication about his appearance that he isn’t a sickly child who needs breakfast brought to him in bed.

    His skin is the softest of soft, and paler than a ghost's. During his early childhood he rarely saw sunlight, so he tends to have the appearance of just recovering from a long illness. In recent years his skin tone has improved slightly from paper-white to a more natural peachy shade...but only slightly. Perhaps in years to come he might even end up looking like a normal child—a small possibility, but one nevertheless. He has an impish smile and eyebrows that can do the wave. Andrew's eyes are the cleanest of blues, but they usually lack the sparkle of people his age. His nose is thin and pointed, and his mouth is a soft, pink line in his round, doll-like face. In fact, his entire body could be characterized as a living doll, with its childish proportions, delicate features, and big eyes. Unfortunately, his eyes are big enough to make him look slightly out-of focused, giving people the impression that he’s always daydreaming.

    It is an established fact that Andrew is a midget. As stated above, his body is of average proportions—the average proportions of an eight-year-old, without any of the softness of a small child. What does this leave? Thin. Everything about him is delicate, with, once again, the exception of his head, which is resistant to all but heavy concussions from Bludgers whizzing towards him at high speed in the air. It is as if Andrew’s bones were made out of toothpicks—his limbs break easily (although they do mend at a fast rate) as if snapped in two, with only a small bit of pressure. His skin bruises as quickly as coloring it in with crayon. While his limbs are quite nice in shape, his body is the size of a child a few years younger than he is. Tragically, he’s stayed the same height and weight since his first year at Hogwarts—nothing has matured, physically, except maybe gaining a few pounds and looking less like a skeleton than his eleven-year-old self did. Unfortunately, there’s still a lot of room for improvement.

    Most clothes don't fit him at all, so he doesn't bother with looking for the right ones. Sweaters and jackets swamp his thin shoulders and scrunch up near his hands. Jeans trail two or three inches below the soles of his shoes. Being a short boy never did much good for Andrew; his clothes give him a feeling of hiding from the world. In fact, his Hogwarts robes nearly drown him during the school day, and he is always modifying it, but he hasn't quite gotten the hang of that yet. A peculiarity of his is that he is mostly unaffected by the weather. In a blizzard he would be numb to the cold and wear only a sweater—in blazing summer heat he would be able to wear the same and not feel anything different. Supposedly, when he was a child, this was how his parents found out he had magic. He likes to wear blue, not so much because he loves Ravenclaw, but more because most of his clothes are the same color as his eyes. Sneakers in any weather suit him just fine, as well as jeans or khakis when he isn't swamped in his school robes.

    INNER WORKINGS: Who is the clumsiest boy at Hogwarts? Doubtless, the honor would go to Andrew here. He trips over everything, from rocks to blades of grass to thin air. His fingers, though long and slender, are clumsy; his feet are the bane of his existence. Perhaps for this reason he is quite taken with Quidditch—indeed, he is unusually good at it for a boy his age and build. He certainly won't be a match for an older, seasoned athlete, but he is able to hold his own on the pitch. Quidditch is his passion, and one of the driving forces that keep him going. The walls of his dorm are covered with Quidditch posters (mostly of the Arrows, his favorite team) and the space under his bed is occupied by stacks of slightly dusty chronicles of the game.

    Aside from Quidditch, he loves to read. Most of his time indoors is spent inside the great library of Hogwarts, where he likes to bury his nose in various types of books. Recently he's taken a liking to the Restricted section, and he's gotten very good at sneaking off there when no one is paying attention. Most of his reading, though, is centered on the history of the Wizarding world—historical fiction being his favorite genre—and stories about Muggles. He finds Muggles to be a very interesting subject, but he prefers to learn about both Muggle life and History of Magic on his own time. Anything, in his mind, is better than the drone of the boring professors who teach both. His interest isn’t centered only on history and Muggle-life, though. The boy is quite brilliant at Arithmancy, Charms, and better than most at Transfiguration. The spells he can cast are rather powerful, although not very varied because he only uses the ones he is most familiar with—the other ones he knows are mostly useless, like making hair grow and changing the color of wallpaper, neither of which are of much use in battle.

    Andrew tends to have a shorter attention span than most Ravenclaws, hence the reason he can't focus in class. In the past, he would promise himself to pay attention and take notes during a lecture; nowadays he doesn’t even bother to do that. Never has he ever made it past the first three minutes without staring dreamily out the window, or doodling all over his notes—he’s not that bad of an artist, although he isn’t too into art. When teachers call on him, he tends to blush madly and spew out something about not remembering. This leads people to believe that he is a poor student, but he actually manages to maintain Ravenclaw-level grades due to the time he spends reading outside of the classroom. He is very curious, having been, for lack of a better word, sheltered as a younger child. In fact, he is so very curious that he gets distracted very easily. One minute he would be looking up something about Mimbus mimbletonia and the next, see a speck of dust on the carpet and attempt to learn a Vanishing spell. Of course he failed at that miserably—but that’s beside the point. Sometimes he ponders why he ended up in Ravenclaw, because he lacks most of the traditional traits of the house—level-headedness, cunning, competition, among others—and his conclusion is that his thirst for knowledge is stronger than all of his other traits.

    Although generally a mild-mannered, calm person, he is very flustered when he causes a commotion. This happens when he trips over things—his face burns scarlet; he apologizes until he runs out of breath, fidgeting with the hem of his shirt all the while. He does have a tendency to ramble in situations like those, and usually the rambling is quite incoherent. In fact, when he isn't happily wondering around in his own air-headed world, he's staring at the carpet, face smoking, apologies streaming out of his mouth at top speed. Most people at Hogwarts give him a wide berth because they don't have the time to deal with him and his liking for laying the blame on himself. Actually, Andrew just has very low self-esteem, instead of the calm self-assurance so closely associated with Ravenclaw. He is naturally very shy, but having been teased mercilessly by his deceased older brother—indeed, almost driven mad—before coming to Hogwarts caused his shyness to grow into something much more pathetic. Loosing self-confidence is easier done than said for one as shy as Andrew, and even though he’s slowly regaining assurance in his own abilities, he doesn’t expect any compliments from anyone. Instead, his mind always leads him to think that he’s causing trouble for others. Sometimes it comes off as pitiful; most of the time, it's just annoying.

    People generally see Andrew as a shy—although rather adorable—scared, harmless person. Ninety-nine percent of these people have never seen him angry. It takes a lot to make Andrew mad, because most of the time he accepts people teasing him due to his low self-confidence. He’s only gotten really, really angry about three times in his life—once when he was four, and his brother stuck itching powder in all of his clothes, including underwear. The incident caused Michael Lenski to almost lose his hand when baby Andrew went after it with a gleaming kitchen knife. The family looks back on that now with smiles and laughter, but the other two incidents weren’t nearly as amusing. As seen from the kitchen knife ordeal, though, Andrew is unreasonable and violent when seriously disturbed. In life he may have his bad days, and he can get annoyed with people, and he might frown a lot, but not many people have seen him seriously, truly angry. He doesn’t really know what makes him go insane like that, but he’s not in a hurry to find out. Andrew seemed to have gotten the negative effects of the two types of anger: his rage burns long and slowly, but also violently. So what calms him down? Usually, if left to his own devices, he will calm down after a few hours of slamming things into the wall, as if having a horribly long tantrum. Add this to the gift of quite powerful magic, though, and things suddenly get a lot worse. Once he set fire to his room during an angry spell that lasted a few days—yes, his ignited temper is quite problematic. Two things have been known to calm him down: time, and space. No one really dares to approach him, because he might accidentally—or not so accidentally—hex off a couple of limbs.


    THE BACKSTORY: From the tender age of eight, Emrys Lenski—the only heir of a Russian-Welsh line of purebloods—had known the need to produce a male heir. He grew up to be a complete charmer, having witch after witch fall in love with him. When he arrived at the feet of Irina, though, he was rendered completely powerless. With her rich golden hair and brilliant green eyes came a sense of virtue and impeccable self-control that lengthened their courtship by about three years. At age twenty-five, Emrys wedded the Russian beauty. A year later, to the pleasure of his entire family, grandparents especially, Michael Lenski arrived in a blaze of glory. From the beginning, he was a merry little child, always gurgling and laughing. As he grew, he became an inquisitive toddler, poking his fingers into various potions to taste them, never suspecting that one day, the curiosity would kill him. Curiosity killed the cat? More like the child…

    Emrys was working for the Russian Ministry of Magic for a bit—dangerous work. He accidentally left one of his poisons out when he went to a meeting, and of course, Michael was the one who went and tasted it. The child was completely sure that whatever substances his careful, loving parents displayed did him no harm. Irina found him a few minutes later, skin tinged with blue, eyes wide, dying on the carpet. She took him to St. Mungo’s at once, but while they extracted the poison, it had an effect on his heart that could not be healed. Nevertheless, the devastated parents lived on bravely until Michael’s fourth birthday. He had a bad-heart-spell. Irina took him to St. Mungo’s again, and there the Healers told her that it was unlikely he lived past twenty—or even fifteen. Driven nearly mad with grief, Irina suggested to her husband that they have another son.

    “No child of ours could replace little Mikey,” Emrys answered, frowning. “You can’t just get another Mikey.”

    “Oh?” Irina had shot back, vehemently, “We’ll see about that.” And then they talked, they argued, and the long and short of it was that Irina became pregnant with her second child—Andrew.

    Michael was five years old when Andrew was born. From the start, it became quite clear that Emrys had been right. Andrew was another breed of child entirely. He cried a lot—quietly—and he was quite a tad smarter than the already clever Michael. Michael, with his jokester nature, couldn’t help teasing Andrew all the time. Andrew grew up to be naturally shy, but the way his parents treated him, as if he was an old, faded photograph of his brother, did not help things at all. Unfortunately, the parents were so absorbed in losing their eldest that they rather forgot about the youngest, seeing him as a sad replacement for the cheerful, outgoing son…the son that would one day be taken away from them forever. Fortunately, both parents, aside from the evil habit of comparing their children in a way that made Andrew feel extremely inferior, were optimistic enough to not say a word about Michael’s health problem to either child. They wanted to enjoy the time they had with their eldest for as long as they could

    Eventually Michael went to Hogwarts, where he was sorted as a Gryffindor. Needless to say, Emrys and Irina were ecstatic. They placed much pressure on young Andrew, telling him that they wished him to follow in his brother’s footsteps, or even get sorted into Slytherin, a house for powerful wizards. For two years, the family lived, with all its internal problems and Andrew’s increasing withdrawal into his room, as happily as one could expect under such circumstances. But after Michael’s second year at Hogwarts, everyone could see a change in him.

    Normally, little Andrew was quite happy when his brother was at school. That way, he reasoned, his parents would see only him, and treat him better, and buy him more candy and Pumpkin Pastries. He was right about the candy, but sadly his parents still acted like Michael was still around. Eventually the little boy came to the conclusion that his parents just didn’t like him, but it was their duty to love him and care for him. He never said a word of this to either of his parents, but at night, he brooded over this fact. The result was that he became even more introverted, hardly daring to say a word to neighbors or guests, answering questions with a fixed stare on the carpet. During the summer, when his brother was at home, life was a lot worse. He didn’t get any candy—and where Michael received huge, lavish gifts on holidays, Andrew was forced to be content with small toys. Now, don’t get me wrong, his parents treated him kindly and with care, but their constant comparisons made the boy feel quite horrible.

    The summer after Michael’s second year, life suddenly became a lot worse for Andrew. One night, in their bedroom, the older brother decided to have a talk with his younger sibling. The talk went something like this:

    “Say, Andrew, wouldn’t it please you to know that I was dying?”
    “D-Dying?” Andrew echoed.
    “Yes, then Mum and Dad could do whatever you want them to do, without me in the way.”
    “No, why…why would you think that?”
    “I know they treat me differently, Andy.”
    “But I—I’ll miss you…where do you go when you die?”
    “Far, far away,” Michael mumbled, “But don’t worry. I’ll leave some of myself behind for you to talk to.”
    “Y-You can do that?” Andrew squeaked.
    “Oh, yes, I’ll leave my…ah…spirit behind, so you can talk to me whenever. But…Andy…promise me something?”
    “Anything!” Andrew said, excited that his brother would be in his debt, and eager to help.
    “Promise me that you’ll never, ever tell Mum and Dad what I said to you tonight?”
    “Oh…of course I won’t.”

    The fact that Michael was dying did little to put Andrew at rest. He insisted that his parents took him to the library the next day, where he checked out twenty books about death—which startled his parents. But the mother and father covered their surprise and, coming to the conclusion that maybe he was just curious, gave him some more books about Quidditch. It was the best moment of little Andrew’s life. From then on, he adored Quidditch. Michael let him use his broom sometimes—a good broom, too—and while he never played the game before he arrived at Hogwarts, Andrew flew quite well—and happily.

    The summer passed quite uneventfully, except that maybe Michael was a bit…more tired…and more quiet in general. Andrew had the uncomfortable impression that his parents were always crying at night. And one day…one horrible morning, Andrew woke up. It was horrible, because he woke up without the aid of his older brother yelling into his ear, or tickling him, or lifting him up and threatening to throw him off the bed. Andrew was seven—and as curious as his brother. He climbed down from his bed and padded over to his brother’s, and poked him. “Morning, Mikey!” he chirped. When there was no response, he grew a little frightened, but told his brother to stop pretending. When there was still no response, Andrew froze.

    Was this what dying was?

    He stared for a long time at his brother’s lifeless form on the bed. Then he started talking. “Mikey? Michael? Have you been dead? But you…but you said you’d go somewhere…far a-away…where’d you go? You’re still here?”

    And that was the moment when a familiar voice said in his ear, “Hullo, Andy.”

    Andrew screamed, horribly. The sound brought his parents running. They took one look at their cherished eldest and, while Irina sobbed over her son’s body and begged him to come back, Emrys looked around in a wild panic—he looked around, but he never saw his youngest. In fact, when his father’s eyes swept past him, Andrew saw a sort of desperate, blank look in his eyes, as if he was invisible and his father had seen right through him. And from that moment on, the small boy changed. His parents couldn’t see him? Was he gone? Maybe he was the dead one. He tugged at his mother’s sleeve, but she didn’t notice him. Andrew silently climbed back into bed, shivering and frightened. Two days later, when his mother found him still huddled in the blankets, pale and soaked with sweat, she asked him why he didn’t cry and miss his brother.

    But he’s not gone, he wanted to say. He’s right here, in my closet. Unfortunately, Michael had made him promise never to tell. He had been trying to get his parents to forget him and focus on his younger brother, but his ingenious plan seemed to have backfired. Not only was little Andy treated worse…he’d nearly been forgotten. And he didn’t talk, either. Andrew was convinced that Michael was a figment of his imagination, all the more reason why he never mentioned it to his parents. Day after day he huddled in the darkest corner of his room, growing increasingly more unresponsive, and one day, he stopped talking to them completely. Meals carried to his room were carried out scarcely touched. He forgot books. He forgot Quidditch…and to make matters worse, Michael tried to make him feel better.

    The voices in his head never made him feel better.

    For four long years, the pattern carried on. His parents, distraught but afraid to approach him for fear he was really mad, walked into his room a few weeks after his (extremely silent) eleventh birthday. The “party” had involved a few words from his parents (“happy birthday, son”), a few pleading words from his mother (“would you like some tea and cake?”), and few mournful wishes from his father (“grow tall, son…if only Michael were here”), and complete and absolute silence from Andrew. A few weeks later, his parents walked in, talked to him for a long time, until Andrew, who grew increasingly annoyed with them, lashed out and nearly snapped his mother’s neck in two. Then his father proceeded to wrestle him onto his back after a shouting match, and carried him to St. Mungo’s. A horribly dull council followed, during which Andrew stared out of the window blankly while he thought his mother was talking about Hogwarts.

    Hogwarts changed him. From the very start, Andrew entered the eighth compartment of the Hogwarts Express with his head bowed, his eyes trained on his feet. When they reached Hogwarts, Andrew had taken an unplanned bath in the lake, had been pulled up by a boat that happened to pass (the students on the boat he’d fallen out of didn’t even notice he was gone), and sat down to be Sorted with water streaming down his face. There he’d been subjected to further humiliation by being Sorted into Ravenclaw. Ravenclaw. It was a disaster. His parents had wanted Gryffindor or Slytherin, and he himself had been hoping for Hufflepuff, where he’d heard that the people were nice and considerate—and didn’t betray others. Ravenclaw. The word from the Hat made him feel quite dead.

    Time went on, though. Hogwarts worked its magic on the small, broken boy. By winter holiday, he’d made a few friends, too—mostly older girls who thought he was the incarnation of their little brother, which made him feel a bit pleased but secretly a little hurt, because he didn’t tell anyone that he had once been a little brother himself. When people asked him if he knew Michael, he shook his head to avoid explaining everything. By and by Michael had been forgotten. Andrew went home in June quite different from what he had been when he left. His parents, pleased with the change, took a hint and stopped mentioning his dead older brother around him. Generally, from Hogwarts on, Andrew started going uphill. Sometimes it was hard work, but in the long run, his life became much, much better. He’s still shy, and still has self-confidence issues, but at the very least, he doesn’t believe he hears voices in his head anymore.

Evan Demetrius - January 9, 2010 06:15 PM (GMT)
I know you want us to tear apart the history, but ... Lily, that is one of the best damn histories I've read in a while! It was so sad, and yet really happy. I want him to continue to hear Mikey ... but I can imagine why he wouldn't want to. What I would suggest is to expand a little bit more on Andrew and Michael's relationship with each other - you've done well explaining how he felt jealous of him, and ignored by his parents, but there isn't a lot explained about their relationship with each other. Other than that, you have a very detailed History here, miss. I'm impressed ^_^

Now, for the rest of your profile. My edits will be in the big, bold, pen of slytherin. Mmkay?

QUOTE
Andrew is a scrawny scrap of a thirteen-year-old, a doll-like child1. He is thin and frail, lacking the muscles of a Quidditch player and the roundness of a child. Only his head seems unaffected by this—his face is still baby-round, with a pointy chin.2 He stands at almost —almost five feet tall, and is characterized by his customary stare at the ground beneath his feet. His body is mostly of average proportions, except for his head which seems to be too big on his shoulders. When he’s not out playing Quidditch, he is usually hunched over, studying the floor tile pattern or watching his feet—bad posture sticks to him like a permanent sticking charm.3 Never in his life was Andrew ever satisfied with his own appearance, and he probably never will be. In the mirror he sees a frail, weak child—in his mind he aspires to be strong and well.4


1 What do you mean by "doll-like?" Explain.
2 I don't really understand this statement. Only his head seems unaffected by what? The fact that he doesn't have quidditch muscles or roundness of a child? So his head is muscular and round? O.o
3 The "—" doesn't really make sense in this sentence. I think you should change it to something like this:
    "... or watching his feet, which causes bad posture to stick to him like a permanent sticking charm."

Nice metaphor, by the way!
4 Once again, I would replace the "—" with the word "but." Don't use too many of those—it can get confusing real easily.

QUOTE
To begin at the top—his hair is light brown.1 It's quite long, and messy enough to give his mother a headache. Being someone who doesn't worry too much about appearances, Andrew leaves his hair alone. He stays away from gel and dyes--and potions that change his hair color according to mood.2 Once upon a time, he tried the latter, only to have the solution turn his locks a perpetual shade of shy pink. From then on he learned his lesson and never messed with his hair again. The only time he'll think about his hair is when he gets a haircut—a squeamish ritual that has him fidgeting in his chair while his mother attacks it with enchanted scissors.3 It’s fair to say that Andrew walks around with bits of leaves and grass in his hair—the only indication about his appearance that he isn’t a sickly child who needs breakfast brought to him in bed.4


1 I would change the first sentence. I don't like the "to start at the top" part too much. Don't know why -shrug-
2 Lily. Stop using "—" too much. xD Most of the time, you can connect the two sentences with a word. Usually, a "—" is used to add something as more of an afterthought, or a side note. For example:
    Evan walked down the stairs, being sure to skip the second step — he had fallen through it once before, and never wanted to repeat it — before he came to a halt at the bottom of the flight.
It was used in that case to add more of a side note, or to give the reader a glimpse into why he skipped the step. So if you're going to use this, you'd have to change it to something along the lines of this:
    He stays away from gel, hair dyes, and colour-changing potions — he tried the latter once before, only to have the solution turn his locks a perpetual shade of shy pink.
That's the proper way to use them, but try and avoid them if you can. ^_^
3 Yes! That's how you use them!
4 Wrong again! I would replace "—" with "... and grass in his hair, which is the only indication ..."

The rest is fine, with a few more "—" errors. That's the one thing I want you to work on - try avoiding "—"'s as much as you can. Usually connecting words work just as well, though I can see what you're trying to do. Keep up the good work, Lilypants!



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